The team discusses what it was like to work on the Oscar winner for Visual Effects Achievement — and how Mocha Pro made 450 face tracks possible.
The Emmy Award-winning editor on why he turns to Continuum inside Avid Media Composer and Adobe Premiere Pro to help quickly key, track, and...
DC’s Legends of Tomorrow editor on how she got her start, using Sapphire inside her Avid Media Composer, and how she beats network TV burnout.
How the visual effects team used Mocha Pro together with Nuke for set extensions, removes, and filling in crowds on the award-winning series.
Molecule VFX artist on how she uses Mocha Pro for clean-ups, screen burn-ins, and more only shows like Dickinson and Only Murders in the Building.
Star Trek: Discovery editor on building your career, using Sapphire inside Avid on the popular series, and how he preps before projects.
Get ready for organic moving 3D particles in just one click with tons of new drag & drop presets.
Norwegian photographer specializing in manipulations discusses which Optics effects he turns to most inside Adobe Photoshop.
High-end artist on how she got her start, using Silhouette and Mocha Pro to save precious time, and what it was like working on The Book of Boba Fett.
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