Q&A with Nathan Overstrom, VFX Supervisor, Zoic Studios
5 minute read
The Emmy nominee discusses the team's work on SEE's season two finale, Rock-A-Bye, and how having access to Sapphire and Mocha Pro is essential.
The Emmy nominee discusses the team's work on SEE's season two finale, Rock-A-Bye, and how having access to Sapphire and Mocha Pro is essential.
The first-time Emmy nominee discusses what type of visual effects the team handled on Snowpiercer — and how they used Silhouette and Mocha Pro.
The Final Cut Pro user on working on VFX-heavy shows for Netflix and Amazon Studios, prepping before projects, and using Mocha Pro and Continuum FCP.
The nomadic freelance photographer on why he turns to Optics inside Photoshop to help create stunning futuristic cityscapes.
How she used Silhouette and Mocha Pro on Ms. Marvel (Disney+), making the leap from graphic design to a career in visual effects, and more.
Discover how the awards show editor got his start, why having access to Mocha Pro changed his workflow, and how he uses Sapphire inside Avid.
Her favorite new rotoscoping tools, painting on Top Gun: Maverick, and the major time-saving benefits of using the application.
Find out which effects he uses on Star Trek: Discovery and what it's like making the switch from reality TV to scripted.
Find out how he got his start, his best advice to his younger self, and how he used Mocha Pro together with Nuke on Marvel's Moon Knight.
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