Chris Solon, roto paint lead, discusses how the team used Silhouette to easily remove unwanted elements on Netflix's award-winning film.
The team discusses what it was like to work on the Oscar winner for Visual Effects Achievement — and how Mocha Pro made 450 face tracks possible.
How the visual effects team used Mocha Pro together with Nuke for set extensions, removes, and filling in crowds on the award-winning series.
Online editor Julian Nelson tackles invisible visual effects on the reality dating series.
The team at Wisdom VR discusses why 360 filmmaking provided the most in-depth look at what it was truly like on the front lines of the pandemic.
VFX editor Richard Sanchez quickly mocks up green screen shots with Primatte Studio tech inside Avid.
The artist and creative soul dives into why he relies on Sapphire inside After Effects to put the finishing touches on his projects.
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